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Smoother Soul Travel 


With Sabeth 

 

 

by
Ami Elisabeth Catez Institute 
 

 

 

 

 

Printed by RTS Print and Copy Centre in 2024 
www.rtsprint.co.uk 


Supported by Tom Pearson at Isidore and Wild Duck Productions 
www.isidore.uk 


Thanks to Sr. Judith at Maryton Grange, 
to Veronica Errington, to Erica Stones and to Joy Thompson 


Copyright ‘Ami Elisabeth Catez Institute' 2024 


All further information at: 
www.aecinstitute.org 
aecinstitute3@gmail.com 


Front Cover: ‘Image of Elisabeth Catez’ via www.karmelgent.be 


Visit: www.marytoncarmelitesliverpool.org.uk 


Published in association with the leere collective 2024 
www.leere.co.uk 
www.facebook.com/leerecollective 

 

 

 

 


‘Never be afraid to trust an unknown future 
to a known God’ 

Corrie Ten Boom  

 

 

 

 


Chapitre un : The Soul Hurts 


Estée thinks 
She should now be out of sight 
For the hedgerows and the privets are short 
And the swaying branches pre-Spring are bare of leaf and of bud 
The roadside saplings too offer little cover 
Estée wants only to put things right 
Somehow 
With the caress of trust 
Before night envelops the delicate rhythms of her day 
Before she heads home 
To face the dutiful Sunday evening routine 
The rollout of the school week 
The boisterous ways of youth converging on the morning bus 
Along corridors of a protracted panic 
One classroom morphing into another 
She checks once more … beyond the hedgerows 
For passers by 
In earshot 
For vehicles 
Sudden appearances 
Sound empties 
Estée favours moments like this 
Being ‘alone' in task 
The solitude of task 
Bringing an inexplicable inner warmth 
A trace of wonder through her veins 
Some force of love disguised 
Removed from the hour, any measure of the clock 
Also inexplicable 
As if one is discreetly but observantly winding one's way through mystery 
Through time and through history 
If not flying … 
It is a stern refusal to rush, to fluster, that holds her up in journey 
Holds the best of her up 
And returning to the present 
With one final scan of the scene 
Amidst the drizzle and the grey cloud mass 
Estée buries the young male blackbird 
There 
In the thin soil 
Of the grounds of the United Reformed Church 
On the busy corner 
Where Avenue meets Avenue 
And the public buses swing out towards airport and city 
It is where Estée has so often 
Stumbled 
Upon herself 
During holidays or at weekends 
Walking her beloved épagneul King Charles dog 'Ralph' 
Trying her best to fit 
Neatly 
Passively 
Within a moving and a fragmented adult world 


It is the crossroads of her days 
Spent between parents 


Estée gazes upon the simple contours of the bird's limp body 
Its pale orange beak protruding 
The lengthy tail running to the finest point of brilliance 
Still wet with the sheeting, the sliding rain 
Oh … hidden thing! 
'Ami unique' 
Beyond her fixed and her wounded gaze 
A notion of 'perfect' stirs 
In that very form 
Of the lifeless bird 
The shine of its feathers 
Carrying the shapes and the silhouettes 
Of a redemptive air 
A resonating ideal 
A valued spot of truth on an ever smiling horizon 
One where we too can creep out 
Of the mire and the madness 
Stronger 
But Estée is without the sea and Estée is without the sky 
And in those next few minutes 
She is back to earth 
Where her child soft hands work like small mechanical diggers 
Muddy work 
Her wide jeans becoming damper and damper 
Marked at the ankles by the rainfall and the sodden ground 
Still out of sight 
A resting place is duly fashioned 
Soft feathers now against the rough of the soil 
The eye below earth's level 
Stoney 
Small dark particles 
Wedge themselves between her skin and her short fingernails 
Her mother might ask what she had been doing 
'Fixing a damaged tree', she would say 
'Pulling it back into shape' 
Or … 'painting my nails black again' 
Noire … it's the French!' she would tell her Mum 
In a semantic plan of distraction 
Kneeling 
Upon the concrete flagstones 
Still out of sight 
Estée gathers sticks and offshoots 
Twigs, scattered soil and soggy leaves 
And covers the scene 
God’s firm earth disturbed 
Now once more settled 
Troubled beauty reconciled in touch and praxis 
And spotting a loose discarded pencil 
She snaps it in two 
To forge a cross 
Pushing it into the small mound of earth 
That she has so neatly moulded 
Recalling words from a worn prayer 
At the abrupt roar of an engine 
Wondering why … 
An adult pastime 
…  Religion ? 
Muffled voices approach the hedgerows 
As the rain tips down 
They pass 
Waning in volume to her relief 
And holding to her vague working template of Unity 
Estée feels her heart expand 
So without further ado, sets off contentedly 
Crossing at the junction 
To walk up the narrower of the two Avenues 
Away from the traffic lights 
Feebly 
She wipes her hands on her black hooded top 
Noticing the green reflection of the traffic light on the wet road surface 
It grows quieter 
Just the patter of rain now 
So Estée names the dark and bulky clouds that linger there above her 
Each of them in turn 


Those clouds 
Threatening noise, hanging low 
We too shall now name … 


'Blame 


Anger 


False Perception 


Restlessness 


Misplaced Allegiance 


Rejection 


Lost Purpose 


Fear’ 

 


Chapitre deux: The Soul Rests

 
And thinking too much on her slow 
Lonesome return 
Estée misses her exit for 'home' 
Home, it’s ever locking identity abandoned 
In her weariness 
Or obscured by her loving movements 
So to confront 
The mind 
… ever restless 
without true basis … 
She takes a right hand turning at the corner of the Park 
Where the new suburban dwellings lie empty 
She picks out a distant point to reach 
From there she shall retrace her steps 
Important housework duties were incomplete 
Besides Ralph would be waiting 
Waiting to hear her story 
Of finding the poor bird motionless near the bus shelter 
Its plumage glossy with the downpour 
Estée pushes on 
Feeling the water squish in the soles of her white training shoes 
Her heart competes with the rising wind 
A wailing wind 
That rattles garden gates and garage doors 
Bins are overturned 
Plastic strewn across the street 
A door slams 
It is here where Estée momentarily envisages herself 
Constructing a tent 
Away from the urban din 
It would ensure protection from the approaching night 
Every inch of creeping loneliness 
From defeat 
A canopy stretched into a single space, a natural space 
Shrouding all worry 
Nurturing a courage within 
Pitched before the aurora 
Yet, Love … 
In all its many, many movements 
Must embrace others 
Their condition and their dwelling 
For if this was to be the beginnings of a lasting storm 
Estée would need the solid and faithful shelter 
Of, at the very least, one of her homes 
There with Ralph 
With Clara and Mum 
The warmth of indoors 
And at this particular spot 
The same rising wind seemed to sound these brazen words … 

 
'Any soul that continues to debate with itself 
Will scatter its forces’ 


One can draw one’s own emoji's 
One’s own stories and conclusions 
Whilst Estée's soul debates 
And debates 
Scattering its inner forces 
Nonetheless the scene tells us firmly 
Estée perceives such grand distances vividly 
Even that looming distance from herself 
Days, along with the sky, were indeed heavy 
Heart and mind 
Soul 
In turbulence 
In a spin 
Body a mere bystander 
Among men 
Women 
And on earth 
The swirling inward pressures 
That steal hope 


Now she is at the very point that she picked out 
That she thinks she picked out 
Along the sandstone walls 
In the incessant afternoon gloom 
Past the gated posts of Maryton 
Estée continues to walk 
Detecting the scent of wet flowers 
She was not mistaken 
There were ivy climbers and common mallow 
Near pretty viola tricolor 
Lined in legions of colour 
Like legionnaires before l'Elysée Palais 
Estée stands herself more upright 
And follows the decorative trail 
The showers cannot interrupt her course 
Her appreciation of the spectacle 
The hint of white in the viola petal 
Sinking below the violet and into the soft yellow hue 
All this 
Hidden from view 
A visitor’s view 
A neighbour's view 
The hearts view ? 


Sabeth was in the voice of the viola tricolor 


'… Colour can help you stay with it 
Withstand all things 
As they are 
As you are …' 


Estée 
Truly immersed 
In the deeper scent of the flowers 
Felt her thumbs make contact with the rougher tips of her teenage fingers 
Had she not once holidayed here … ? 
Watched the peak of the high mountain quiver in the hot air 
Played at water fights with Clara 
At the side of the chalet pool 
Traced the run of purple lavender fields 
All so very close 
Imitations 


There came some distant lulling tones 
Women and children alone 
She guesses 
Playtimes or mealtimes perhaps 
Each corner in sight seems to her a foreign abode 
Grass wet and intense with prospective growth 
She was now on the narrow path 
Alongside the foundation stone 
Set in the decorative brickwork of the building of Carmel 
Observing a climbing buff yellow 'Gloire de Dijon
A grey squirrel darting towards the ‘white light’ glass of the chapel 
Across lawn 
Then the crucifix 
The wood 
The wounds 
The thorns 
The crucifix 
Itself acting as a canopy 
For any so drawn to it 
This canopy 
Of stillness and context 
But for her … with hands still muddy … 
A young man 
A body twisted 
‘Must have upset someone … and in a big way!' 
Thought Estée 


And as she turned to make for the gated posts of Maryton 
The voice within the violas was there again 


'… nothing is commonplace 
We do not live in these things, we go beyond them' 


It came like an order to rest 


Estée says aloud 
'Estée shall rest' 
If she can but stumble 
Home 
Estée stumbles home 
Still with the scent of those vibrant flowers 
Like perfumed, otherworldly realms, in her nostrils

Along the road that sits adjacent to the Park 
In a northerly direction 
Into the hazy rain 
She recognises the power plant 
The outbuilding 
The spiralling horse chestnut tree 
The verges up on 'Yew Tree Lane' 
The entrance to the apartments 
Her Mum and sister would be alarmed by her late return 
As she had cradled the bird, she had switched her mobile phone off 
She was so very close 


In the small bedroom that she shares with her sister Clara 
Ralph wanders in and then out again 
Estée closes her eyes 
Listens to the night without the rain 
And tries to pitch the heart 
Beside an eternal tune 
A tune she guesses at 
She imagines the blackbird 
Free and busy 
Foraging 
She listens for its call 
A serene breeze sails through the window 
There is a low pitch rumble of traffic 
She then speaks her own prayer 
From her cell … 
'Look after that awesome bird 
Who took me on this rainy adventure … 
And look after sweet Ralph 
As he sleeps … 
And be with Mum, with Dad and with Clara too tonight' 


And Estée does indeed rest 
For what seems like 40 days and 40 nights

 

 

 

 
Chapitre trois: The Soul Expands 


Her mother suggests a small party 
At home 
To celebrate Estée's forthcoming birthday in July of that year 
With Clara 
With Suzanne and Patricia 
And of course with her beloved Ralph 
Estée agrees 
Commenting that she needs more pictures with friends out of school time 
To post from her phone 
For Estée was ready to celebrate her own discoveries 
New affinities and observances like fresh horizons of summer promise 
Affinities and discoveries 
That now moved, guided and shaped her inner blooming world

 
It was not merely the flowers 
Or the crucifix up at Maryton 
That had gripped her attention 
Faces too all held a shine before her keen eyes 
A distinct presence and story of their own 
Although there had always been essentially movement and constant flux in her 
short life 
Much of it puzzling 
The faces beheld in any one day 
… be they in a captured image or in real form … 
Had somehow helped return a tranquil balance 
Presented an ‘Answer’ in the midst of a raw pain 
She noticed shared human joy 
A kind act, a wave 
A benign engagement between friends 
Babies asleep as they travelled 
With their mothers on public transport 
She had read somewhere 
Of the value of keeping one's face always towards the sun 
So any shadows will fall behind you 
One face could simply echo the words … 


'We do not live in these things' 


Estée 
Separated from those so integral to her life 
Came to gradually withstand the present with a force 
Negotiate the shifting foundations 
Switching abodes 
The confusion of two wardrobes 
How often she had been caught gazing 
Out of her classroom windows 
With half a mind on Ralph 
And the other on the tender words 
That her Mum had uttered to her before setting out on the school bus 
Consequently 
Unable to redirect herself quick enough 
To offer any incisive comments within the class discussion 
An old Languages teacher had once insisted: 
'… s'il te plaît Estée, tes propres idées sont importantes' 
Then in English joked … 
'Add the letter ‘m’ onto your name Estée and do your thing!!' 


At the crucifix 
Just those few yards again from the viola tricolor 
Estée on this occasion notices the holly amongst the privets and the ivy 
Their polished green leaves disguising the sharp texture of the rim 
The voice of Sabeth 
This time 
Comes over the sound of a workman's tools 
Perhaps emanating from the vegetable plot or the greenhouses 
Estée had taken little Ralph's lead and collar 
Stepped out of her Mum's apartment 
Into brighter climes this one weekend morning 
And followed the line of the old stone walls to the gates of Maryton 
There she watched Ralph too catch the scent of the flowers for himself 
Continuing in an easterly direction along the narrow path 
Stopping abruptly before the oaks 
Gazing at the isolated 
The abused 
Figure of Christ 
The tangled hair 
The head bowed before accusers 
The hateful 
This time Estée let her hands fall beside her, palms open 
Her thin wrist too was marked 
She looks at the cut to his torso 
And speaks outwardly to a cherished interior form 
A reparative, salubrious form 
With uncharacteristic resolve and urgency 
Capturing a peace and a passion as she does so 
In her one languid breath 
This Christ was like no other 
He belonged to a similar story 
Exhausted … Exposed … 
Empty … 
'I couldn't have hated him …' declares Estée 
She watches thin clouds above her head skim by on the light breeze 
The boisterous crows seem to call louder 
As they swoop down to the mesh fencing 
It became clear as fresh water in its flow from mountain 
We don't lose the sacred 
To this ever scattering, dismissive and chaotic world 


The jet streams made their patterns known 
High in the holding sky 
As the soul veritably expanded 
Mystery took hold without disquiet 
Ralph tugged at the lead 
Her arm and body followed 
Combining hurt as a real thing 
With repose as a loving one 
So expanding into the greatness of vocation 
Estée takes quicker steps away from the canopy of the crucifix 
Tracing her route back down the path 
Up the Road 
To the power station on the Park corner 
Across Avenue 
In rain and in shine 
Across any boundary 
Outbuildings. Inbuildings 
All boundaries. All burdens 
That seek to divide and to scorn 
With trembling fingers that point and snigger 
At frailty 


'A constancy of Love 
I've come to you to show 
It hovers about your soul through every day and every night 
Oh, simply look and see the Mystery!' 


Estée thinks 
What is possible with a friend like this 
Hidden among the natural light 
And the singular direction of the flowers 
What is within the soul today 
To so receive a friend like this 
And she took notice of the birds that were noisy 
And the birds that were quiet 
'Le monde entier' 
In fact 
Speaking alone to Ralph on the soft grass of the Park meadow 
Some 20 or so minutes later 
Sabeth's words 
Estée repeats … 
In the completeness of her soul 


'A constancy of Love 
I've come to you to show' 


That evening, as Estée finishes her homework 
The TV flashes up images of a distant war 
Bloodied children under clouds of smoke, of hate and of loss 
Lovelessness 
Estée sits at the dining room table 
In the small apartment 
And writes out her birthday party invitations in her neatest handwriting 
There are to be the 3 guests 
Along with Ralph 
And 
Mum 

 

 

 


Chapitre quatre: The Soul Belongs 


The year presses on 
A warm and genial early summer is now upon us 
The sun embosoms all young life, free of the grasp of age 
The leaves are motionless on the trees 
Ralph learns to fetch his own lead from the hallway of the apartment 
Time passes too for Estée 
With some fleeting glances 
At her old self 
Her russet coloured hair is shorter 
A lot shorter 
Eyes still alert 
Hooded top and white trainers replaced by an oversized thin check shirt 
Drawstring greenish shorts 
Black baseball boots 
Despite her increased height she still walks with her head a little bowed 
Especially in crowds or in unfamiliar company 
With her school uniform she wears a watch with a large face 
Displaying the image of a Dalmatian dog 
It is the time of year when exam tables are laid out in the school hall 
Measured with an institutional precision 
Summer holidays draw nearer 
For children it all feels like very small steps to that great expanse of fun 
Parents make holiday arrangements 


Estée releases any hidden sorrow or unease 
That she might detect in her own timid voice 
Impalpably 
Her method 
A simple strategy 
She begins to list her hobbies and her interests as 'go to' pointers elsewhere 
Sketchbook business on the iPad 
Her myriad of cute stone figurines arrayed in her father's garden 
Cycling 
TV programmes on nature and on dogs 
Baking with Mum in the apartment kitchen 
Even going as far as to list a few subjects that she is enjoying at school 
History 
Languages 
3D Art 
Philosophy … 
Which she hears can be studied in later school life 
She collects older photos of Ralph as a puppy for her bedroom walls 
Commits to walking him to the junction and back punctually 
Before dinner 
Whenever she is at the apartment 
And gradually 
Aware of the bigger 'pool of Life' on offer 
Whatever the day, whatever the season 
Boldly 
She begins to take her own silences seriously 
Treating each when they arise, following a domestic or school activity, as a true 
point of vantage 
Not impairment 
Embracing them 
Like moments before a burst of decisive growth from rebudding roses 
Accepting her own space 
As a marvel 
Shying less from the company of others after any such quiet and intimate spells 


All can be summarised as greater knowledge of herself 
Estée staying afloat 
Amidst the greater measure 
Of mercy 
When Estée wobbles 
… more often than not when Clara and she have cross words … 
She seeks help 
In the name 
The mere name 
Of 'Sabeth' 
The air might feel empty of all life 
Discouragement the only song 
And in an instant a bountiful harmony might there return … 
The viola tricolor plants 
Direction and compass 
Whispers of a saintly kind 
Head straight 
Head bowed 
An affirming tone always close 
Filtering in 
Alongside 
The wood pigeons 
Near the polished-effect of the holly leaves 
Against a calm blue sky 
The quivering yellows and violets and whites visible 
The jay, the robin 
The presence 
Without any given 
Any distinctive form 


Yet … it is never that straightforward or simple with older siblings in proximity! 


Estée asks Clara in their shared room before school 


'What is the worst thing you have ever done?' 


Clara is quiet 


'Thrown a glass at Mum' 


'When?' asks Estée 


'It doesn't matter’ says Clara 


'Did it break?' 


'Of course it did … stupid!'

Then … 


'Forget it … we're already late, the bus is due … what do you want for your 
birthday?' 


Estée was slow in offering any answer, fidgeting with her Dalmatian watch

 
'Oh, I don’t know! Maybe one of those little chisels, like artists have … for some 
wood or stone or something to hammer on …' 


'Weird!' replied Clara 


Had not Sabeth already presented Estée with such a thing as this ? 
To carve away at the inner dimensions 
To shape and make room for the gift one knows somehow lies present 
Dormant 
Latent ? 
Behind those forces we fight with in time 
Those that turn us only inwards 
And emerge as we see it 
Back in 'the night …' 
The long night 
Or in the day's pushy preoccupations 
Or that bulge like some swelling or deep bruise within 
Visible to anyone with eyes 
Intuition 
Was she not asking less for a chisel 
More for a sword to protect her soul ? 


’Don’t panic’ 


Came the perennial reply 


Every time 


One night 
When she had heard Sabeth clear 
Speak as if from a cloistered building with a rural backdrop 
Where the sun licked the sharply ascending roof 
Estée was right back amid that holiday tableau … 
Bourgogne-Franche-Comté 
With Clara and with Mum and Dad 
Before Ralph 
After Edith 
Before Ralph became this precious piece … peace … of family life 
One family 
In time 
At Flavignerot
It was hard to say 
The words that had seized her 
Bestilled her 
So as to seep in like an ointment 
They would not leave her … 


‘What are you thinking? 
What are you doing? 
Where is your whole being? 
Trust 
And so rise 
Jeune soeur 
Magnify all you detect of Love 
Here is Stillness 
Here is Belonging 
Under this shield 
A canopy of presence 
Remain ever closer 
Beloved Star 
Transform 
All hurt and loss 
In the fresh company 
Of light 
Of thankfulness 
And from this moment on 
Be strong in spirit 
And in gentle movement 
You will heal and you will grow 
Now peace 
Friendship 
Smoother soul travel 
Jeune soeur' 


And just before night … another trace of voice … 


'Find your forever place on that Still Mountain 
Jeune soeur' 

 

 

 


Chapitre cinq: The Soul in Harmony 


Her birthday fell on a Tuesday of that year 
A bright glow lit the Avenue in the early afternoon 
The last white blossoms looked like large clumps of popcorn 
Along the central reservation 
Sabeth's voice came as a truth telling whisper 
Just when Estée laid out the picnic blanket on the lawn 
And yet it was also like a hurtling arrow 
Rooting itself to the ground near her feet 


'Collect all one's powers 
In order to employ them 
In the one work of love' 


This was an easy business in the company of those who she 'loved' so deeply 
Those who were near and symbolised 'home' 
On days surrounded by faces of the most intense 'amour
Affection 
Those who had asked of her welfare at that one very juncture in time 
When she had felt frozen in loss 
Although demanding, it was becoming easier to do so too 
Outside of her closest company 
To be free of any taunts or gossip at school or between homes 
To bear her head straight 
Not so bowed 
To know her whole person fitted somewhere 
Checked by a fierce love 
With a healing, the living flame of friendships implanted 
And with the gauge of forgiveness 
One could avoid the brazen attempts 
Of Panic 
To try to press its shadow upon one's day 
The markings on her thin wrist went uncovered now 
No longer hidden under the sleeve of her clothing 


On gathering for her small party 
Estée and Clara's mother suggests to the group that they head outside 
To sit on the neatly kept lawn within the apartment complex 
Ralph had already found his way downstairs when Clara had dropped his lead at 
the front door 
The branches of the trees were full 
The grass was lush 
It was sometime after one o' clock 
'Selfies' were snapped and compared 
There were giggles of freedom away from white boards, the smell of stale corridor 
paint and exam life 
Suzanne and Patricia talked about music, countries of the world, spare Euro coins 
and PE classes 
And the new school gym that had large posters displayed with messages from 
leading football players in the women's game 
Around self-care 
Holistic health 
A tray of cakes and goats cheese soufflés sits in the centre of the blanket 
Along with butternut banana crêpes that Clara had baked that morning 


Ralph lies in the sun off the blanket 
Clara remarks how he still looked like a puppy 
As Patricia attempts her own selfie with the dog 
Suzanne tries to place a tiara on Estée's head 
Estée simply looks intently at the gifts and at the cards scattered on the blanket 
She begins to feel again the squeeze of Suzanne's strong hug in the doorway on her 
arrival 
And the delicate necklace 
Complete with the letter 'E' 
That Patricia had so carefully wrapped and presented 
Around her neck 
She hears Mum’s words at her bedroom door at daybreak repeat again 
Feels her kiss on the cheek as she rubbed her eyes awaking her to 'your special day' 
She observes Clara's smile 
The breathing sky 
Empty and inviting 
Heart melting, soul rising 
The abrupt roar of an engine 
What a surprise all this was unfolding before her now 
She must speak up 
The petit clouds high above in the morning sun 
Fluffy white like Ralph’s tail 
Had vanished 
Somehow merging into what looked from below 
As a lone elongated column of cloud drifting by obliquely 


Tapping a glass 
Her Mum initiates a spontaneous chorus of 'Happy Birthday' 
A neighbour in the complex, Judith, stops watering balcony plants and joins in the 
refrain 
It is the perfect prompt for Clara to pass on her wrapped gift to Estée 
A bicycle light 
'Something for if you go out travelling after dinner' says Clara 
The present is unpacked 
'I love it', answers Estée ‘… how does it work?' 
She feels for a switch 
'Merci beaucoup … Clara Banana!' 
Ralph jumps from his spot off the blanket and a half full carton of apple juice is 
spilt 
So pass the minutes of a birthday party 
In presence and in gift 
Knowledge-rich 
What else do you search for outside 
When within yourself you possess your true treasure 
A fullness 
And a small kingdom 
Is framed 
On the lawn before you

 
And before bringing the trays and the plates 
Back up to the first floor apartment 
Estée turns to the group 
Tearful somewhat, but joyous with it 
Seated on the lawn 
Coupled with a slight nervous laugh 
Saying … 
'I buried a young bird once 
And I thought … it could be Ralph 
Or … 
One of you … 
And I got so, so scared 
I forgot how to walk or to run 
Or to sleep' 
A nervous giggle 
Before 
'… or to ride a bike … 
Only I couldn't leave it behind, at that stop … at the bus stop' 


‘My Estée’ came a response from the group 


Estée could not say from whom 


‘But I know how to carry things now 
I know I can carry things 
I know I can carry … 
I … 
This tray!!' 
More giggles as she makes for the centre of the blanket 
'And those other things we are … 
Every day … every day, just fascinates me!' 
With that she was gone 
Making for the apartment stairwell 
Naming each step on the latter half of the steps to the first floor 
As her baseball boots ascended the levels 


We too shall now name them … 
 

'Thankfulness 


Mercy 


Integrity 


Peace 


Silence 


Courage 


Renewal 


Growth'

 


A piece of God's firm Earth 
Lawn 
Soil 
Flower 
Inverted wonder 
A canopy of presence 
And the radiance of stillness 
Belonging 
Like a reckless sensation 
Perhaps unfathomable 
Perhaps an invention 
Fell into their loving souls 


'His will is that we should be 
Something established in Him 
That we should live where He lives 
In the unity of love'
 


And the young female blackbird 
In the branches of the evergreen fir 
About to enter the Garden 
Young as daybreak 
Watching Estée head across the grassy plain to the stairwell 
Thrust its tail upwards 
Swelled its beating chest 
And the air told her too 
That she belonged 
And in among the balcony plants 
Stood the three shining parts of a viola tricolor 
Marking Clara, Suzanne and Patricia as young women 
With much to do 
Marking out Estée as their friend 
In the loneliness and in the tired parts of the day 


The TV screen in the deserted apartment lounge had been left on 
Broadcasting images of mothers in a war torn city 
In dialogue 
Dolorem. Chagrin. Sorrow 
In dialogue 
Something hallowed burning of God within them 
Reminding us of truth born 
Both here and in heaven 
And how stars can find their source 
Sparks through stubble can run 
This youthful Star 
In the Unity of Love 
Who had found her source 
Stumbling between home 
Blame and strife 
In her Sabeth

 

 

 

 

 

 


                            AMDG 

AECI: 'Smoother Soul Travel With Sabeth' 
Questions For Further Discussion 


Chapitre un: The Soul Hurts 


1. What words would you use to describe the personality of Estee in the 
very first chapter of the story? What do you understand by the word 'panic'? What strategies can we use to manage any feelings of 'worry' or 'panic' in our lives? 
2. What is this 'task' that Estee must complete? Are there some daily 
'tasks' or 'duties' that you prefer to complete alone? How important is it to have a rhythm or a routine to your week? 
3. Do you think that religion could be described as a 'pastime' or as a 
'hobby'? Explain your answer. 


Chapitre deux: The Soul Rests 

1. Does technology affect our capacity to rest and to relax? What would your advice be about taking time spent away from our devices? What other issues can influence our quiet or rest time? 
2. Do you have any lasting memories of holidays with family and friends? 
What were they? Why do you think we can remember such times so clearly? 
3. Why might Estee be feeling 'tired'? Is it just a physical tiredness? Has anything within nature caught your attention within the last few days or weeks? How can the natural world help with our understanding of ourselves and re-energise us? 


Chapitre trois: The Soul Expands 


1. Should 'friendship' have any limits? How can we be sure that 'friends' are always a good influence upon us? Is Sabeth really hearing Sabeth or is Sabeth only 'an imaginary friend' for Estee? 
2. In this chapter we learn that Estee begins to see 'faces differently'. 
What do you think is happening to her? Why do you think Estee might be daydreaming in her school day? 
3. There are sometimes upsetting and shocking TV news reports of conflict and war throughout the world. Can these affect our mood and our outlook on everyday life? What can we do to make our family, our school, our community a little more peaceful? 


Chapitre quatre: The Soul Belongs

 
1. Do you find crowds difficult or easy? Do you find silence difficult or 
easy? Explain your answers. 
2. Does Estee have unusual hobbies and interests in your opinion? Make a list of your own hobbies and interests but try to include some things 
that 
you think you might grow to like over time. 
3. How would you describe Estee's relationship with her sister Clara? 
What do you think are some of the issues that can cause tension between siblings (brothers and sisters)? 

 

Chapitre cinq: The Soul In Harmony 


1. In what different ways are birthdays celebrated? Are there any 
unusual cultural or religious celebrations around birthdays that you know of? How are you to celebrate your next birthday? 
2. In the Ancient Greek tradition there are a variety of words used to 
describe different understandings, or types, of 'love'. Try to discover the meaning of a few of these (eros, philos, storge, agape). 
3. How has Estee changed at the end of the short story? What has she 
learnt from her friendship with Sabeth? What might the words 'unity of love' mean for Estee? What is it that now '... fascinates her'? 


Imagine the 'perfect picnic' during the school holidays. You can invite anyone, serve any food and set your picnic in any location. Who would be on your guest list? Would there be music? Where would it be? Would animals be welcome? Describe your very own 'perfect picnic'! Now, you can invite one character from the story, who would it be? Why did you choose them? 
 

 

 

 

 


 

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